1. “Discipline in writing is important but sort of over-rated. The more important virtue for a writer, I believe, is self-forgiveness. Because your writing will always disappoint you. Your laziness will always disappoint you. You will make vows: “I’m going to write for an hour every day,” and then you won’t do it. You will think: “I suck, I’m such a failure. I’m washed-up.” Continuing to write after that heartache of disappointment doesn’t take the only discipline, but also self-forgiveness (which comes from a place of kind and encouraging, and motherly love).” — Elizabeth Gilbert
  2. “You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.” — Joseph Campbell
  3. “There are two pivotal tools in creative recovery — morning pages and the artist date. A lasting creative awakening requires the consistent use of both. Morning Pages are three pages of longhand, stream of consciousness writing, done first thing in the morning. There is no wrong way to do Morning Pages– they are not high art. They are not even “writing.” They are about anything and everything that crosses your mind– and they are for your eyes only. Morning Pages provoke, clarify, comfort, cajole, prioritize and synchronize the day at hand. Do not over-think Morning Pages: just put three pages of anything on the page…and then do three more pages tomorrow. The Artist Date is a once-weekly, festive, solo expedition to explore something that interests you. The Artist Date need not be overtly
    “artistic” — think mischief more than mastery. Artist Dates fire up the imagination. They spark whimsy. They encourage play. Since art is about the play of ideas, they feed our creative work by replenishing our inner well of images and inspiration. When choosing an Artist Date, it is good to ask yourself, “what sounds fun?” — and then allow yourself to try it. — Julia Cameron

  4. “Find a subject you care about and which you in your heart feel others should care about too. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style.”- Kurt Vonnegut
  5. Write a million words–the absolute best you can write, then throw it all away and bravely turn your back on what you have written. At that point, you’re ready to begin.”– David Eddings
  6. All writers think they suck. “When I was writing “Eat, Pray, Love”, I had just as strong a mantra of THIS SUCKS ringing through my head as anyone does when they write anything. But I had a clarion moment of truth during the process of that book. One day, when I was agonizing over how utterly bad my writing felt, I realized: “That’s actually not my problem.” The point I realized was this — I never promised the universe that I would write brilliantly; I only promised the universe that I would write. So I put my head down and sweated through it, as per my vows.” — Elizabeth Gilbert
  7. “Don’t try to be original. Be simple. Be good technically, and if there is something in you, it will come out.” — Henri Matisse
  8. We want you to take from us. We want you, at first, to steal from us, because you can’t steal. You will take what we give you and you will put it in your own voice and that is how you will find your voice. And that is how you begin. And then one day someone will steal from you. — Francis Ford Coppola
  9. “Everything that needs to be said has already been said, but since no one was listening, everything must be said again.” — Andre Gide
  10. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows, Select only thing to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. — Jim Jarmusch
  11. “I have always felt like this is so cruel to your work — to demand a regular paycheck from it, as if creativity were a government job, or a trust fund. If you can manage to live comfortably off your inspiration forever, that’s fantastic. That’s everyone’s dream, right? But don’t let that dream turn into a nightmare. Financial demands can put so much pressure on the delicacies and vagaries of inspiration. You must be smart about providing for yourself.” — Elizabeth Gilbert
  12. “You can only write regularly if you’re willing to write badly… Accept bad writing as a way of priming the pump, a warm-up exercise that allows you to write well.” — Jennifer Egan
  13. “Books are uniquely portable magic. If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” — Stephen King
  14. “Resistance will tell you anything to keep you from doing your work. It will perjure, fabricate, falsify; seduce, bully, cajole. Resistance is protean. It will assume any form if that’s what it takes to deceive you. It will reason with you like a lawyer or jam a nine-millimeter in your face like a stickup man. Resistance has no conscience. It will pledge anything to get a deal, then double-cross you as soon as your back is turned. If you take Resistance at its word, you deserve everything you get. Resistance is always lying and always full of shit.” — Steven Pressfield
  15. What “Keep Going” did for me was it helped me establish a repetitive, repeatable daily system for producing work. Because what I was really missing in my life was some sort of method to making work all the time. — Austin Kleon
  16. “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, ‘Who am I to be brilliant, gorgeous, talented, fabulous?’ Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.” — Marianne Williamson
  17. “Everything you want is on the other side of fear. “ — Jack Canfield
  18. Shitty first drafts. All good writers write them. This is how they end up with good second drafts and terrific third drafts. People tend to look at successful writers, writers who are getting their books published and maybe even doing well financially, and think that they sit down at their desks every morning feeling like a million dollars, feeling great about who they are and how much talent they have and what a great story they have to tell; that they take in a few deep breaths, push back their sleeves, roll their necks a few time to get all the cricks out and dive in, typing fully formed passages as fast as a court reporter. This is just a fantasy of the uninitiated. — Anne Lamott
  19. “How we spend our days is how we spend our lives.” — Annie Dillard.
  20. “That’s all any of us are: amateurs. We don’t live long enough to be anything else.” — Charlie Chaplin
  21. “On the spectrum of creative work, the difference between the mediocre and good is vast. Mediocrity is, however, still on the spectrum; you can move from mediocre to good in increments. The real gap is between doing nothing and doing something.” — Clay Shirky

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years, you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.” — Ira Glass

Photo by Frame Harirak on Unsplash

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