Why have a platform?

Neera 1 Comment

Dear Creative Souls,

I have been writing for twenty years now. In those years, I have filled countless diaries, notebooks, digital files, and online apps. I was writing for myself and never thought of publishing anything.

As I got a bit better at writing, a tiny desire to share some of my writings with others started lifting its head.

But I am too scared to send any of my short stories to the competition. My novel needs at least three for four serious rewrites, and my diaries are personal. What can I share?

That is when I came across Austin Kleon’s book Show Your Work in which he describes the importance of having a platform.

A platform is a medium through which you share your ideas and your work. It can be physical (a gallery, a salon…) or digital (blog, Pinterest, Instagram, Facebook…), although in today’s age digital is preferred because of its reach and affordability.

Austin wrote:

More than ten years ago, I staked my own little Intrnet claim and bought the domain name austinkleon.com. I was a complete ameture with no skills when I began building my website: It started off bare bones and ugly. Eventually, I figured out how to install a blog, and that changed everything. A blog is an ideal machine to turn the flow into stock. One post is nothing on its own. Publish a thousand posts in a decade and it turns out into your life’s work.

[…]

My books, my art shows, my speaking gigs, some of my best friendships – they all exists because I have a my own little piece of turf on the internet.

That advice was the inspiration for the start of this blog. Since last year, I started sharing my work and my learnings on this blog. It has completely changed my perspective on my craft. I am writing better, learning faster and feeling a sense of accomplishment I never felt before.

If you are really interested in sharing your work and expressing yourself nothing beats owning your own space online, a place that you control, a place that no one can take away from you, a place where people can always find you.

Carving out a space for yourself online, somewhere where you can express yourself and share your work is still one of the best possible investments you can make with your time.

Andy Baio, a technologist and blogger. 

Your blog can be your sketchbook, your studio, your gallery, your storefront, and your salon.

It is like a shopfront.

It will be a place where you can be yourself. You can reveal the part of you which not even your family knows about. Your secret yearnings, your desires, your dreams.

Don’t think of it as a self-promoting machine, think of it as a self-invention machine. Online you can become a person you really wanted to be. Fill your website with your work and your ideas and stuff you care about. Social media trends will come and go but blog and email have been around since the beginning of the internet and are here to stay.

[…]

Over years you will be tempted to abandon it for the newest, shiniest, social network. Don’t give in. Don’t let it fall into neglect. Think about it for the long term. Stick with it, maintain it and let it change it with you over time. Whether people show up or they don’t, you’re out there, doing your thing, ready whenever they are.

Austin Kleon

Blogging is a simple strategy that the new age creatives use to build a name for themselves which overtime becomes their most valuable asset.

This kind of blogging is different from professional blogging where you are wanting to earn money from blogging. It is more in line with the advice the great writer and visual artist William Burroughs gave to Patti Smith, a singer, songwriter, musician, author, and poet

Build a good name. Keep your name clean. Don’t make compromises. Don’t worry about making a bunch of money or being successful. Be concerned with doing good work… and if you can build a good name, eventually that name will be its own currency.

William Burroughs

I am not sure whether you have given it a thought or not yet but you need a platform too. Every creative person does.

Let me know when you build one. I would love to visit it.

Photo by Matthias Wagner on Unsplash

10 Characteristics of a new age creative

Neera

I have been using the term new age creatives in my posts for some time. Recently when someone asked me what I meant by them I realized it may not be a widely used term and I might have invented it for my own understanding.

I did a quick google search. That came back with a video series documenting the stories of artists and entrepreneurs to educate and inspire the next generation. Very relevant, but not exactly on the terms I have been thinking about when I was referring to them in my posts – How new age creatives are not only surviving but thriving, What is art, We are all artists, and How to be an artist in the new age.

So I decided to do a list of the characteristics of new-age creatives. Here are ten, I came up with.

1. New age creatives take their imagination seriously

They nurture it. They feed it by constantly learning. They find ways to stretch it usually by challenging the status quo. Think of Janet Echelman here.

2. New age creatives know creativity is a way of life

They know creativity is not an occasional strike of the muse but a way of living their life. They adopt it like with the ardor of an artist. Think Elizabeth Gilbert here.

3. New age creatives are idea catchers.

They know ideas are bubbles and they vanish in thin air as quickly as they form. They build mechanisms to capture them and to follow them until they become something tangible or die a natural death. Read James Altucher’s Ultimate Guide to Becoming an Idea Machine.

4. New age creatives have a platform

They build a platform to share their ideas. They know that the world needs their ideas and the power of an idea lies in sharing it and gaining energy from the universe. This is why Ted Talks has become such a phenomenon. Listen to Robert Tercek’s Ted Talk to understand the power of a personal platform.

5. New age creatives are a part of a scenius.

They are like a node in a matrix of creative individuals who generate and nurture great ideas. Listen to Brian Eno here.

6. New age creatives are focused on the process rather than the product

They understand that the product appears as a result of the process. It is as imminent as day follows night. Better the process, the better will be the product. So they invest their energy in refining the process. Listen to Austin Kleon here.

7. New age creatives are financially savvy.

They don’t burden their creativity to earn them a living. They either minimize their needs or figure out alternate ways to make a living until their creativity bring them abundance beyond their wildest dreams.

https://youtube/DapmXzk7bd4

8. New age creatives are resilient

They are not afraid of setbacks. They know in their way of life the failure is as common as is euphoria. They develop the ability to get up after each fall. Their strength is in their faith and persistence. Think Hugh Macleod here.

9. New age creatives are friends with fear

They play with fear. Sometimes they dodge fear other times they let it beat them because they know it will bring the best out of them. Think Tim Ferris here.

10. New age creatives are generous

They are generous with their time, their knowledge, and their products. They give them freely because they know there is more from where this has come from. Listen to Seth Godin here.

I hope this list and listening to the innovative ideas help paint the picture of New Age Creatives in your mind as it has in mine.

The lost art of letter writing

Neera 3 Comments

Dear Creative Souls,

Yesterday, while waiting in the reception area of the local hospital, where my niece was going through a minor procedure, I felt the urge to write to you. Not just any writing but deep, meaningful, connecting kind of writing. I pondered how to do that. For a long time now, I have been trying to figure out ways to communicate with you on a personal level. One to one, you see.

I don’t seem to be achieving that through blog posts. At least I don’t feel that. Blog posts with their ‘scannable’ nature sometimes sound distant and preachy. As if there is a thin curtain between the writer and reader.

I want to be able to talk to you like I talk to my friends over a cup of coffee.

I would love to have a cup of coffee with you.

Chances of happening that are slim. Not impossible, but slim.

This constraint reminded me of the longing I felt for my family when I migrated to Australia thirty-plus years ago. In those days there was no mobile phone, or skype and the landlines were outrageously expensive. My only way to stay connected with my family was letters. I used to write long, extra-long letters, by hand.

I loved writing those letters. Pouring my heart out to my mother as a newlywed would. Describing the new landscape and history of my adopted country to my father and father-in-law. Bonding with my sisters-in-law through separate notes.

What I loved more than writing letters was receiving them. Those striped edge envelopes with lots of stamps containing neatly folded lined paper with its unique smell. The anticipation of its content. The stories of food, festivals, neighbors, weather. Somehow, even mundane things would sound special. Those who wrote back regularly hold a special place in my heart forever. They gave me a gift which can’t be paralleled. They comforted me through the loneliness of the initial years.

This is how I want to communicate with you. By writing letters. Providing you comfort and support through your creative journey. As your companion. As someone who fights fear on a daily basis.

Speaking of fear, as my creativity was flowing, and I was coming with these ideas of writing all these letters, FEAR popped its head and reprimanded me.

Sweetheart,

Hold your horses. Just think about what you are going to do. Writing personal letters to your readers? What a dangerous idea. That will expose you on the net. You have any idea how vulnerable it will make you. People will know your deepest desires, your failures, your agonies, your anxiety. Do you really want to announce all those things. Don’t forget you are an introvert. Introvert don’t live their lives out in the open.

As usual FEAR was right on many things. I was almost going to drop the idea when I remembered Elizabeth Gilbert’s advice in Big Magic to write a letter to FEAR.

That’s what I did.

That silenced him.

I hadn’t written a letter to anyone for decades now. It still feels great. Writing letters builds relationships, brings clarity and provides comfort. It not only warms the heart of the recipient but also of the writer.

I urge you to write a letter today. To someone. Anyone. Write to your children and leave it in their lunch box. Or your husband and place it in his briefcase. Or a long lost friend you recently found on Facebook. Tell them you were thinking of them. Tell them you were remembering the times both of you have spent together.

Or write a letter to your fears and see how much clarity and mutual understanding it brings.

Photo by Joanna Kosinska on Unsplash

10 tips to unleash your creativity

Neera 5 Comments

“But I am not creative, like you!” cried my friend when I asked her to join the drawing course with me. All my pleas to assure her that all humans are designed to be creative by nature failed. She wouldn’t budge.

Most people fall in the same category as my friend. They don’t consider themselves creative. “This wouldn’t be a big deal if the self-assessment didn’t tend to become self-fulfilling,” says James C. Kaufman, author of Creativity 101, “but it does. We think we’re not creative, so we don’t cultivate our creative potential and—voilà!—we’re not creative.”

“In his book, Orbiting the Giant Hairball, Gordon MacKenzie discusses how he used to go into elementary schools to teach students how to make sculptures from sheets of steel. When he began each class, he always started with the same question: “How many artists are in the room? Would you please raise your hands?” The pattern of response was invariable. The first graders were all in, leaping in the air, hands enthusiastically shooting for the stars. But with each successive grade, fewer hands were seen waving in the air like they just don’t care. MacKenzie notes, “By the time I reached sixth grade, no more than one or two (raised their hands) and then only ever-so-slightly—guardedly—their eyes glancing from side to side uneasily, betraying a fear of being identified by the group as a ‘closet artist.’” – Vince Gowman

I used to be like that too. I wanted to create but didn’t believe I was creative. I thought only some gifted people were creative. But I didn’t give up my dream so easily. I started studying creativity and found that creativity was not the domain of the select few. Creativity is innate to humans just like flying is to birds and swimming is to fish. Birds fly, fish swim, humans create became my mantra.

Not only that I started doing specific exercises to unleash my creativity. Here are 15 tips to get your creative juices flowing.

1. Practice idleness

Contrary to the common belief that ‘Idle mind is devil’s workshop,’ the idle mind is the germination ground for ideas. We need idle time to be creative. Incorporate idleness into your routine. Switch off the TV and sit still in a quiet room. Meditate. Take regular ‘do nothing’ breaks.

I have often wondered whether especially those days when we are forced to remain idle are not precisely the days spent in the most profound activity.

Whether our actions themselves, even if they do not take place until later, are nothing more than the last reverberations of a vast movement that occurs within us during idle days.

In any case, it is very important to be idle with confidence, with devotion, possibly even with joy. The days when even our hands do not stir are so exceptionally quiet that it is hardly possible to raise them without hearing a whole lot.”

Rainer Maria Rilke in Letters on Life

2. Make unexpected connections

“Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.

Steve Jobs

Learn to make connections. Warm-up by finding connections between two unrelated things – a cat and a suitcase; a window and a carpet; a bird and a picture. For example, both the cat and the suitcase could be black which leads to confusion, or the cat can fit in the suitcase and travel with her owner. Now you think of the connection between a window and a carpet.

3. Imitate or Copy

Don’t let the mention of imitation or copying put you off. We learn by imitation. After all, humans have originated from monkeys. All great artists start by imitating their heroes. Imitation is an ultimate compliment. It tells the person being imitated that you value their work so much that you want to produce work like them. Of course, you will never be able to become exactly like them because you are you and she is she. Your ultimate compliment to your hero is when you transform their work into something of your own.

Copying an idea or style is not plagiarism. Definition of plagiarism is – trying to pass someone else’s work off as your own. Copying is about reverse engineering. Cast copying was an acceptable way of training new artists during the Renaissance. Copy those whose work you admire and you will find your own voice. Your own style.

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery – celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from – it’s where you take them to.”

 Jim Jarmusch [MovieMaker Magazine #53 – Winter, January 22, 2004 ]

4. Generate ten ideas in two minutes

You are having a creativity drought because you are not generating enough ideas. Take a pen and paper and write down ten ideas in two minutes. Don’t evaluate, just keep writing. The first few will be easy, the middle ones will be a bit of a struggle but the last two to three will be the hardest. They will be the nuggets you are looking for. Do this exercise every morning and you will flex your creative muscle within days.

“Many people need idea therapy. Not so that they can come up with great ideas right this second (although maybe you will) but so that people can come up with ideas when they need them: when their car is stuck, when their house blows up, when they are fired from their job, when their spouse betrays them, when they go bankrupt or lose a big customer, or lose a client, or go out of business, or get sick.”

James Saltucher

5. Nurture your courage

Every new idea is different by nature – it’s off the beaten path and it takes courage to risk failure or rejection. The crucial element of being creative is to have the courage to take a risk. Find out what gives you courage. Is it past successes, a well-thought-out plan of action, encouragement from others, belief in yourself, faith in your idea, a big potential payout, having alternatives, or trust in the universe?

“Courage is the first of human qualities because it is the quality which guarantees the others.” Aristotle, Philosopher

6. Follow your curiosity

If courage is the father of creativity, curiosity is the mother. Creative people are always curious. Curiosity is gentler than passion. It leads subtly to the unknown and ultimately leads to answers.

You don’t need to do anything spectacular, just take one lead and start asking questions. Your question could be as simple as this, “Now what do I want to know about this?” Then start looking for the answer. The answer may not excite you to run out naked shouting “Eureka.” But it might hold your attention for a moment. At that moment it might lead you to something else. Then curiosity will ask you to just spend a few more moments and find the answer to another question it has popped in your head.

I roamed the countryside searching for answers to things I did not understand. Why shell exist on the tops of mountains along with imprints of plants usually found in the sea. Why thunder lasts longer than that which causes it. How circles of water form around the spot which has been stuck by a stone. And how a bird suspends itself in the air. Questions like this engaged my thought throughout my life.”

Leonardo da Vinci

7. Ask a fool

This is what the role of the court jester used to be. To present things with a different perspective. If a man is sitting backward on a horse, who is backward, man or the horse? What will be a fool’s idea? How many ideas can you come up with thinking with court jester’s hat on? Read my post to use the energy of a trickster.

8. Find your motivation

What puts fire in your belly? Your motivation is the fuel that ignites creativity. There are many motivators – money, survival, personal expression, creative outlet, passion, recognition, leaving a legacy, having fun, dissatisfaction, deadlines, mortality. What is yours?

9. Use constraints, put obstacles

Creativity thrives with constraints. It loves to overcome obstacles. Nina Katchadourian started using her inflight time to make art using just her mobile phone camera. Her project Seat Assignment has been displayed at several art museums throughout the world and her collection is continuing to grow.

Her project is a prime example of thinking on the feet, the artistic potential that lurks within the mundane, and the curiosity about the productive tension between freedom and constraint.

10. Rearrange things

When out of ideas, rearrange things. Look at them backward. Turn them upside down. Read the chapter from the end and work your way towards the beginning, paragraph by paragraph. It will make you notice things that you would have missed otherwise. Rearranging things make different connections. Like letters of Scrabble, whole new words and meanings will come into play.

“People who are resting on their laurels are wearing them on the wrong end.” – Malcolm Kushner, Philosopher

My friend will not join me in the drawing course but she is an amazing cook. When she goes to any restaurant and likes a dish, her quest is to recreate it at home.

How do you express your creativity?

Photo by Steve Johnson on Unsplash

A Martyr or a Trickster, you choose

Neera 1 Comment

As creatives, we have a choice. We can be either a martyr and vow to be committed, dedicated, serious, grim, always-on-the-go, strive-for-excellence fit-more-in-a-day-to-achieve-more type.

Or we can be a trickster and be artful, cunning, play games, have fun, cheat- here-and-there-but-harm-no-one and put-in-less-and-get-more type of an artist.

I was recently going through Elizabeth Gilbert’s book Big Magic and stopped at a section that I had underlined when I first read the book years ago. I started rereading it and laughed my head off.

How could I forget how much I enjoyed it when I read about the martyr and the trickster for the first time?

How could I forget how much I wanted to be a trickster?

Here I am, six years later, still a martyr.

Here is an excerpt from the chapter if you haven’t read it before or need a reminder.

Martyr energy is dark, solemn, macho, hierarchical, fundamentalist, austere, unforgiving, and profoundly rigid.

Trickster energy is light, sly, transgender, transgressive, animist, seditious, primal, and endlessly shape-shifting.

Martyr says: “I will sacrifice everything to fight this unwinnable war, even if it means being crushed to death under a wheel of torment.”
Trickster says: “Okay, you enjoy that! As for me, I’ll be over here in this corner, running a successful little black market operation on the side of your unwinnable war.”

Martyr says: “Life is pain.”
Trickster says: “Life is interesting.”

Martyr says: “The system is rigged against all that is good and sacred.”
Trickster says: “There is no system. Everything is good, and nothing is sacred.

Martyr says: “Nobody will ever understand me.”
Trickster says: “Pick a card, any card.”

Martyr says: “The world can never be solved.”
Trickster says: “Perhaps not…but it can be gamed.”

Martyr says: “Through my torment, the truth shall be revealed.”
Trickster says: “I didn’t come here to suffer, pal.”

Martyr says: “Death before dishonor!”
Trickster says: “Let’s make a deal.”

Martyr always ends up dead in a heap of broken glory, while Trickerster trots off to enjoy another day.

Martyr = Sir Thomas More
Trickerster = Bugs Bunny

Martyrs are stereotypical starving artists, literally dying for their creativity. It is surprising how many artists want to be martyrs. They are ready to die for their creativity but won’t live for it. We are ready to struggle and suffer rather than have fun with it.

I am the first one to admit that I take everything the hard way. I have always found the martyr’s sincerity more attractive than the trickster’s playfulness.

Not any more.

I am ready to change loyalty and become a trickster. Not because a trickster achieves more with her vivacity than a martyr could with her solemnity, but because I have understood the value of life. I have learned that living a simple life with vigor is better than a complex life full of guilt and sacrifice.

I am pretty sure most of you would also want to be a trickster. You also want to use the energy of a trickster. But you don’t know how to. And even if you make an effort, after a few days, like me, you forget.

I have figured out how to bring permanent change. Ms. Gilbert described it in the next chapter, but I didn’t pick it up in the first read.

The secret of a Trickster lies in a single trait.

“The most wonderful thing about a good trickster is that he trusts. It may seem counterintuitive to suggest this because he can seem slippery and shady, but the trickster is full of trust. He trusts himself, obviously. He trusts his own cunning, his own right to be here, his own ability to land on his feet in any situation. To a certain extent, he also trusts other people. But mostly, he trusts the universe. He trusts in its chaotic, lawless, ever-fascinating ways – and for that reason, he does not suffer from undue anxiety. He trusts that the universe is in constant play and, specifically, that it wants to play with him.” – Elizabeth Gilbert in Big Magic

Trust is what we need to become a trickster. And trust is what I will be developing in myself, my art, and the universe.

What about you?

Photo by Levi Saunders on Unsplash

7 habits of successful writers and how I built them

Neera

It is your dream to become a successful writer. You have been harboring the desire for a long time. You have been setting daily writing goals. You have been attending writing workshops. You have been scribbling here and there. You started writing a book five years ago and you keep promising yourself that one day you will finish it. One day, when the kids are out of the house, when work is less demanding, when you retire, when all the stars are aligned, you will become a successful writer.

If these thoughts resonate with you, you are not alone. This is what I used to think too.

This was until I really sat down and had a good look at what successful writers were doing that I need to do as well in order to be as productive as them.

Here are the seven habits I identified and adopted which remarkably increased my productivity.

1. Don’t just set goals, build habits

Years ago I was setting goals to write a certain number of words every day but failing at it miserably. Something always happened to consume my time and energy. I even used an online app 750Words where people write for years at stretch but I was not able to maintain my streak. I was averaging twenty days a month. I have participated in National Novel Writing Month multiple times and won three times writing 50,000 words followed by months of no writing.

My writing pattern matched my exercise routine and I knew I needed to fix both. Surprisingly it was by fixing my exercise routine I was able to fix my writing.

Almost two years ago I started going to the gym every weekday. I set a time for it, 5:30 pm. This took the decision process out. By the time it was five pm, my mind would start reminding me. I always kept the gym bag ready in my car. When I did that a few weeks, all my resistance melted. Like any gym junkie knows that you always feel good after exercise (because of endorphins release). The habit brought a surprise benefit – I started looking forward to going to the gym. I even made friends there. They would ask me if they didn’t see me at my regular time. Another surprise benefit – my stamina increased and exercise became easier.

I did the same for writing. I bought a journal with 365 pages and started writing a page a day, no matter what. A page fitted roughly 250 words. If I didn’t fill the page it didn’t matter. As long as I wrote something there I had fulfilled my pledge. I did that every morning without fail. If for some reason I missed the morning, I did it at night.

Writing a page a day is a habit now. The day I don’t write doesn’t feel like the day I have lived. With time my stamina increased. I write close to 1000 words a day.

2. Understand writing is a three-step process

When I was a newbie writer, I thought that as would I move my hand on the page or punch the keyboard, beautiful writing will emerge on the other end. Something that could go straight in a book. I called it publish-worthy material.

We all know it doesn’t happen that way.

Most of the people give up their dream of becoming a writer at this stage because the magic fairy didn’t move her wand over their fingers.

But those of us who stick around, we find a magic formula. That magic formula is – writing is a three-step process – Idea generation, drafting, and editing. As my mentor, Jeff Goins says, “Think of them as three buckets. Make sure you add something to each bucket each day.“

Keep a notebook just to capture ideas. Ideas will come all day, without any effort on your part. Your job is to capture them in the idea notebook. Then pick one and write it and put it aside. It is called drafting. You will never be in a position when you have time to write and can’t think of anything. And when you have something already written, it is very easy to fix it and make it publish-worthy.

And this is what I do now and it works like magic.

3. Manage your time

I thought when I don’t have to go to work, I will have eight hours extra in my day. I will be able to devote all of that to writing and even the commute time and time wasted on getting ready for work. Within a month I realized how wrong I was. So many things are fighting for our time. Housework never ends. My house is still as messy as it was when I was working full time.

“Lack of direction, not lack of time, is the problem. We all have 24-hour days.” – Zig Zigler

Two things I observed. One, work expands to the time available (Parkinson’s Law). Second, I only get blocks of time available for writing. I started using those blocks most effectively. To learn more about those read my post Use 90-minute bock technique to get more out of your day.

4. Become a smart reader

Writers are avid readers. Sometimes our writing suffers because of reading but sometimes our reading suffers because of writing. Recently I was not getting enough time to read so I went on to find ways to include more reading in my schedule.

I used Pierre Bayard’s method (How to Talk About Books You Haven’t Read), to select which books I wanted really read, re-read, refer to, skim, and never wanted to open (read my post So many books, so little time). Using the system, I got rid of several books and prioritized the rest. Then I chose five strategies to get more reading done – set a dedicated reading time, read at least 20 pages a day, sprint reading at times, subscribe to audiobooks,  and quit reading early if I don’t like a book.

5. Show your work

I have been writing on and off for twenty years. I have boxes full of notebooks and countless files on the computer of my writing. But none of it was any good. Why? Because I was not revising it and making it worth sharing. It was only when I started writing for this blog that I started growing as a writer.

Showing your work, even if it is on a blog, makes you a better writer. Because now you are writing publish-worthy material. If you are serious about your writing, start a blog in a quiet corner of the internet and start sharing your writing with an audience. Even if you don’t want an audience you can publish for yourself. No one will find your blog unless you actually tell anybody. The notion that someone might read it will make you work harder.

6. Have multiple pieces of work in the pipeline

For years I was working on one novel. I wanted to focus all my energy on it. No distractions, I would tell myself. But the novel didn’t go far. I ran out of ideas. In fact, I got sick of it. I parked it aside and started writing short stories. Some I was able to finish, others just wouldn’t go anywhere. Then I started a non-fiction book. Last year I got into blogging.

All this time my novel was incubating in my head. Suddenly the whole story became crystal clear. Now I am able to go back to it and finish it. The same thing happened with some of the unfinished short stories.

Successful writers never stop at one book. They might be concentrating on one at a time but they have several in the pipeline.

7. Understand the higher purpose behind your writing

Most people dread writing, consequently, they won’t write even if their lives depended on it. Yet some of us find our calling in writing. I believe if some higher power has selected us to write, it will also give us the aptitude to write well.

One of my writing teachers used to say, “Writing is receiving.” That was why at the beginning of each session she would make us sit quietly and write. An act to receive with gratitude whatever we were given.

Our job as a writer to write, keeping in mind the teachings of The Bhagavad-Gita, “Do your labor without expecting the fruit of your labor. Labor is in your control, the fruit is in the control of the higher power. It will decide when to bring the fruit of your labor.

Want more?

Here is a related article worth reading 21 Productivity Hacks from 21 Prolific Writers.

What writing habits have you been able to develop? Share them here with other readers of the blog.

Photo by Kat Stokes on Unsplash

If you have enjoyed this post, subscribe to my blog to receive them regularly.